Kurosawa And Yojimbo

Kurosawa and A clenched fist adept OF Dollars. This essay is ab come upon Kurosawa and his mould as an auteur. In this essay I wind instrument be talking close to Kurosawas life and blend ins. I leave behind be feeling at many a(prenominal) of his to the highest degree famous custom ups, and when will be concentrating on Yojimbo (1961) and it similarities and dissimilarities to A fist luxuriant of Dollars (1964). Akira Kurosawa was born frame 23 1910 in Omori, Tokyo. His far was a soldier for the Nipp adeptse force and was a firm beli perpetually in the ways of the samurai and apply them on his children. Which is evident in most of Kurosawas jibes. He adroit at university as an artist, but in 1936 went into the Nipp wizardse flick industry as a scriptwriter. He directorial institution was in 1943 with Judo Saga, but as you would expect a potbelly of his stuff and nonsense was illegalise due to the Second homo contend. Japan did non want any negati ve portraits of men, much of this censored corporal would never be found. Kurosawa went on unnoticed until 1950 when the electric arc of Rashomon won him the Grand Prix at the Venice spud festival. It was the first subscribe to from Asia to drive recognition from the West. He went on to take a crap The s blusher Samurai and sewer of Blood. In all these depictions he was to recitation an up and coming charismatic actor by the fix of Toshiro Mifune. Mifune overly st bed in Hidden Fortress which George Lucas cites as a major(ip) influence for Star wars. Another film that have Mifune was Yojimbo that was tell by Kurosawa and some say his best work. Yojimbo (The Bodyguard) is scarce astir(predicate) a Ronin (samurai with no master) at the beginning he guesss a bring farther and son arguing. The son is complaining about the leave out of food and says he is going to reefer a stripes of criminals so that he can survive the mother and farther beg him to stay but he has spring up his mind and is leaving. At t! his point the Ronin is just watching and not befriending where as you would expect him to help. The Ronin and so goes to a townspeoplespeople with dickens feuding families and tells he can make a teeny-weeny m sensationy and plays one family make another. In this film no(prenominal) of the families are steady-going and nor is the Ronin, but the notwithstanding slap-up matter the Ronin does is rescue a couple and their son from the deuce feuding families. He cleaves caught and derives beaten up, but he manages to escape be cured _or_ healed and get some(prenominal) families killed. Near the end of the film a son from one of the families has a face finish off with the Ronin and the Ronin wins even though the son has a gun. The Ronin in this film is an anti-hero, meat he is not you stereotypical good guy. Usually soulfulness who is out for themselves but has a hint of good in them. The Ronin in this film doesnt do what you would expect the hero to do a kindred(p) wh en he enters the town you would expect him to make the town good but he just makes it worse to make himself some money. The Ronin in Yojimbo is not honourable but estimable. Heroes in Hollywood at this time were pillars of purity trusting and a assistant to everyone. Yojimbo develops the theme of self-assertion and individual integrity; for example he would sell his sword but not his values. The cinematographer of Yojimbo Kazuo Miyagawa apply a lot of techniques while shooting this film one would be the use of deep focus this draws us to only devil areas of the screen at a time. The film is standardizedwise a comedy Kurosawa uses low angles to help out with the comedic tad of some strokes. A good example of this would be the scene near the end when the two families try to destroy on an individual basis other once and for all. The Ronin climbs a bell tower to restrain the carnage he has created as if he was watching a boxing match but when you view the Ronin you forgath er him in a dietic view which adds to the affect. An ! other good way to happen that Yojimbo is withal a comedy is by run acrossing at the two families they are not really that bright and go downt really ever use their heads. They also look very abnormal physically. This film did well in the Japanese box office, and also triggered off a string of spaghetti westerns do by Sergio Leonie. His first was a re-make of Yojimbo it was called A Fist honest of Dollars the happen role was Clint Eastwood. After the Second World contend Italy slowly began to make new films, many of them were inexpensive films featuring an American lead role and the rest of the cast would be Italian. The films were fling with the Italian actors speaking Italian and then afterwards on English voices being dubbed on. It was quickly dubbed The Spaghetti western. Spaghetti westerns were really silent films as the speaking and sound effects were usually dubbed on afterwards. A Fist Full of Dollars is very similar to Yojimbo in token you could go as far as t o say they are practically the same film with distinguishable actors and a contrary settings. A Fist Full of Dollars is set in Mexico and has literary has the same storyline again he plays the two families off each other again he is the anti-hero again he does one good thing by joining the two couples and their son, and so on. Until he has the final duel with the son of one of the families. This Film also uses a lot of good conjectures give care at the beginning when Eastwoods grammatical case has a racket from the well the ECU is very good because you want him to help the pocketable boy and he does not.

Anothe r good fracture is at the end when the man in the du! el with Eastwoods reference is standing opposite him there is an ECU to show that he is pass and trembling this shows you how the graphic symbol is feeling. One thing about this film was the violence you might not think it this instant but this was a very violent film in its portrayal of cold-blooded killing. The film also gave a ascending to Eastwoods flaying career. The best scene to show that A Fist Full of Dollars practically copying Yojimbo was after both lead roles get beaten up the way they escape they both use the floorboards and when the family start to look for them they both look with a crack in the floorboard. The one big remainder apart from the obvious on the two films was that A Fist Full of Dollars was meant to be serious Yojimbo was a particular more than light- breasted. You could see that from the two characters like Eastwoods character just now ever talked and always seemed very distant, whereas Mifunes character was a little more likeable and funnier. Yojimbo had the more effective and unforgettable camera shots like when the streets are empty and you see the spill leaves blowing A Fist Full of Dollars does not have a shot like that. Although it does have a memorable heartbeat like when he has the final showdown the man he is veneering told him earlier on in the film that he shoots for the heart so Eastwoods character uses a meet of metal to cover his chest. Leonie uses good editing here by wake an ECU of the man shooting at Eastwoods character and when you see a long shot of Eastwoods character being shot but getting up the ECU shows the thwarting on the characters face. Kurosawa went onto do many big things and won a lot of awards. After a failed suicide attempt he went on to collaborate with Russian cinema to make Dersu Uzala. He also received an Academy Award nomination for his film Ran. The Seven Samurai was also remade as The Magnificent Seven by fundament Sturges and Rashomon by Martin Ritt as The Outrage. In hi s later days he went on to make Kagemusha with the h! elp of Francis crosswalk Coppola and George Lucas, He became known as The Emperor. In 1998, 6 kinfolk Kurosawa died from a stroke. His films will always live on and so will he. He had a real love for films that only a few people can relate with, and will be remembered as the director who took Asia into the mainstream. If you want to get a expert essay, order it on our website: BestEssayCheap.com

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